Use it to show you the automation graph of any automated plugin parameter, or any track's volume or panning. Wordy, yes, but this shortcut is quite useful. MAC Command-Control-click on control PC Ctrl-Start-click on control Trust me, having a fast fix for this problem makes you much less likely to want to lash out at the editor! Display Automation playlist of automation enabled plug-in control, track volume, or track pan Show the line to help make a quick adjustment to the region. Use case: This shortcut is very handy if you are mixing and an editor has clip gained a region so low there's not enough head room to turn it up. Toggle between showing and hiding the clip gain for all regions in a session. MAC Control+Shift+Hyphen (-) PC Start+Shift+Hyphen (-) Instead, use this keyboard shortcut for one or multiple selected tracks, allowing you to make this large selection with confidence without every changing your point of reference. Using click and drag to manually select scrolls you to the end of your session and navigating back can slow you down. In order to keep the relative spacing, you need to include the region you're editing and all those that follow. Use case: Say you need to remove some space between lines in a radio play. Select everything on one or multiple tracks from the location of the cursor to the end of the session MAC Option+Shift+Return PC Ctrl+Shift+Enter Make these two shortcut keys a regular part of your routine before saving off any final session for delivery. Whether you're working remotely or in house, storage space is always worth considering and this two step process will likely save you a lot of Megabytes (or perhaps even Gigabytes). Use case: If you're a regular reader of the blog, you'll know that I'm a big fan of clean session deliveries. This is a two step process to first find any unused clips and then clear them from the session. MAC Step 1: Command+Shift+U Step 2: Command+Shift+B PC Step 1: Ctrl+Shift+U Step 2: Ctrl+Shift+B Use case: Fine tune any tricky sync-related moments by checking your work back in half time. Play back your entire session at half speed. Then it's just three taps and you're back to editorial. Use case: If you're used to cutting in Slip mode like me, just one tap of the tilde is all you'll need to spot new picture to timecode when it comes arrives. Cycle through the Shuffle, Split, Spot and Grid modes. Just goes to show you, there's always something new to learn. Fifteen years on Pro Tools and I had no idea this existed. I put out the call to our Boom Box Post team and this one comes from editor Brad Meyer.
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